Better that we leave the paint behind," Hans told her, "than ever forget the music.

It's my heart that is tired. A thirteen-year-old heart shouldn't feel like this.

Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her. He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36)

At first, all is black and white. Black on white. That's where I'm walking, through pages. These pages. Sometimes it gets so that I have one foot in the pages and the words, and the other in what they speak of.

The Gunman is useless. I know it. He knows it. The whole bank knows it.

The Germans in basements were pitiable, surely, but at least they had a chance. That basement was not a washroom. They were not sent there for a shower. For those people, life was still achievable.

Living in Sydney, I've taken the chance to start surfing again. One of my best memories of growing up is catching my first proper wave and surfing across it and my brother cheering at me from the shore.