Imagine smiling after a slap in the face. Then think of doing it twenty-four hours a day.

The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered “Shhh, I’m here, its alright.” After three weeks, he held her. Trust was accumulated quickly, due primarily to the brute strength of the man’s gentleness, his thereness.

I'm just another stupid human.

The point is, it didn’t really matter what the book was about. It was what it meant that was important.

There are two magic acts I want to pull off when I write. One is creating a feeling that when you're inside a book, you believe everything you're reading even when you know it's not true. And the second is an extension of that, which is you know it's not true, you know it's not real, but you believe it anyway. And it's that believing of the story that isn't real that attracted me to writing and storytelling in general.

Papa was a man with silver eyes, not dead ones. Papa was an accordion! But his bellows were all empty. Nothing went in and nothing came out.

I say, 'Don't lose your heart, Rube.' And very clearly, without moving, my brother answers me. He says, 'I'm not tryin' to lose it, Cam. I'm tryin' to find it.