There's Chile and there's Uruguay, and no one quite knows why Uruguay is so appealingly selfless because they've had their terror and their revolution like all the rest. But somehow, there's something in them.

So I am lonely, but not alone, like everybody else.

That certain snobbery of certainly the Parisian - combined with a complete denial of your historical legacy, is just awful. That's a funny thing about France. Saul Bellow wrote somewhere that he saw right through the French. He lived there. He wrote The Adventures of Augie March in Paris, and there's no one better than him to say what's unbearable about the French.

People? People are chaotic quiddities living in one cave each. They pass the hours in amorous grudge and playback and thought experiment. At the campfire they put the usual fraction on exhibit, and listen to their own silent gibber about how they're feeling and how they're going down. We've been there. Death helps. Death gives us something to do. Because it's a fulltime job looking the other way.

While making love, we often talk about money. I like it. I like that dirty talk

You can't be up the reader's ass, as many a writer I think is - cute as hell, ingratiating as hell. But that's not loving the reader in the right way. That's toadying to the reader.

Cities at night, I feel, contain men who cry in their sleep and then say Nothing. It's nothing. Just sad dreams. Or something like that...Swing low in your weep ship, with your tear scans and sob probes, and you would mark them. Women--and they can be wives, lovers, gaunt muses, fat nurses, obsessions, devourers, exes, nemeses--will wake and turn to these men and ask, with female need-to-know, "What is it?" And the men will say, "Nothing. No it isn't anything really. Just sad dreams.