The literary interview won't tell you what a writer is like. Far more compellingly to some, it will tell you what a writer is like to interview.

The children of the nuclear age, I think, were weakened in their capacity to love. Hard to love, when you're bracing yourself for impact. Hard to love, when the loved one, and the lover, might at any instant become blood and flames, along with everybody else.

The Democratic Party represents the American brain, and the Republicans represent not the American heart, or soul, but the American gut. The argument between brain and bowel, everywhere else in the Free World, has been decided long ago in favor of brain. But Americans still - it still divides the nation, this question, here in America.

Weapons are like money; no one knows the meaning of enough.

Everything seems fine until you're about 40. Then something is definitely beginning to go wrong. And you look in the mirror with your old habit of thinking, 'While I accept that everyone grows old and dies, it's a funny thing, but I'm an exception to that rule.

They did more than take our youth away. They also took away the men we were going to be.

Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.