Writers spend too much time among dead things. I thought that was profound and actually true, that you're trying to pump life into something that is inanimate. You see what a sort of audacious thing it is to move these sort of imaginary people around in a very stylized and patterned world.

People look at fame and feel deprived if they haven't got it, feeling that this is a basic, almost a human right, a civil right. And also feel the same way about wealth, I suppose - why haven't I got it?

I've always said that the big difference between South America and North America with regard to the native population is that in North America they raped them and killed them, and in South America they raped them and married them. The mix was much greater, and that was very good.

When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.

America is proud of what it does to its writers, the way it breaks and bedevils them, rendering them deluded or drunken or dead by their own hands. To overpower its tender spirits makes America feel tough. Careers are generally short.

My belief is that everything that's written about you is actually secondary showbiz nonsense, and you shouldn't take any notice of it.

Belief is otiose; reality is sufficiently awesome as it stands.