Every writer hopes or boldly assumes that his life is in some sense exemplary, that the particular will turn out to be universal.

Because we are all poets or babies in the middle of the night, struggling with being.

It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.

Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.

When I go back to the core of my childhood, my cousin Lucy seems always to be in the peripheral vision of my memories. She is off to one side, always off to one side, with a book, with a scheme or a project or an enterprise.

I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.

I hire tea by the tea bag.