I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.

You can kill time in a number of ways but it always depends on the kind of time you're fighting: some time is unkillable, immortal

Insects are what neurosis would sound like, if neurosis could make a noise with its nose.

These are the Seven Deadly Sins: Avarice, Envy, Pride, Gluttony, Lust, Anger, Sloth. These are the seven deadly sins: venality, paranoia, insecurity, excess, carnality, contempt, boredom.

Egotism exists everywhere, but it has a different flavor in England, where the tabloid culture goes much deeper. It's just the indulgence of vulgarity, the wallowing in vulgarity. As with everything English, there's a sort of irony to it. They write a great deal about these trivial people who have a certain eminence, always with a bit of, "Isn't it ridiculous that we are writing about this person?"

Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do - like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.

I would never write about someone that forced me to write at a lower register than what I can write.