Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness.

There remains this belief that the work itself can have an identity that can speak, whether it's through beauty, or through ugliness, or whatever quality you put into the work. The work doesn't have to be a transparent vehicle for you to say things about life today.

I was never interested in making cool, distilled, pure objects.

The site I landed on feels much more isolated than it really is; it's almost magical. Within its limited radius, there was a whole range of the local ecology.

Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness.

The work is flowing from an inner knowing of how things really are.

The most precise work is generally done by hand, with hand tools. Some people rely on machines for their precision, and my way of working is backwards. I rely on the machines for doing the gross stock removal and then, when it comes to the final refinements and fitting of joints and things, making things work together, I rely more on sharp-edged tools that I push by hand.