I've been doing It's Aways Sunny for 12 years, and so I have this cable sensibility. When I read the Grinder script, I was like "this is edgy," which is great, but in a different way from Arrested Development. I feel like the characters are a little more relatable, so maybe that's the difference.

I'm not good at reading reviews and things like that.

I think having women behind the cameras is exciting - whether it's as a director or a writer or a producer - because it does feel like we're in the middle of this awakening of realizing that it's important for women to have a voice.

I have the weirdest job. The hair and makeup people were talking the other day about how weird their job is. And costumes, they have to be in people's faces and have to reach in their skirts to pull their shirts down and stuff. I was like, "You guys, I meet someone, I shake their hand, and then I kiss them. And sober. During midday. For money."

It's nice to always have a job and not be floating out in the ether waiting for whatever the next big thing is. So, in that way I hope there's no a shelf-life for great shows. On the other hand, you don't want to be working on something that's reached its peak and become irrelevant.

My personal sense of humor is edgy, I would say more cable-like: words you're not allowed to say, ideas that the majority of people might say, "That's too risqué for me."

It's fun to be debaucherous and the worst version of yourself.