Getting to play a yogic healer was awesome. I love yoga, so I've had a lot of teachers.

I think having women behind the cameras is exciting - whether it's as a director or a writer or a producer - because it does feel like we're in the middle of this awakening of realizing that it's important for women to have a voice.

I also think it's still easy for us - as women, as writers and as directors and producers - to let it fall into the same patterns. Like, "and then the woman brings in the food, because the woman's the one who makes food." It's easy for that to happen, because that's what we've always known.

I don't think that I would go into the writers' room because they work really hard and I feel like I'm already working really hard to shoot my part of the show. Also, I haven't written in a writers' room before, it's kinda intimidating to walk in there.

It's nice to be able to explore both sides of my personality. I definitely relate more to Debbie, my character on The Grinder. But it's really nice because I get to play a character who's down on her luck and kinda slipping off the edge in It's Always Sunny, while at the same time getting to play this character who's a mom and holding it together on The Grinder.

I've been doing It's Aways Sunny for 12 years, and so I have this cable sensibility. When I read the Grinder script, I was like "this is edgy," which is great, but in a different way from Arrested Development. I feel like the characters are a little more relatable, so maybe that's the difference.

It's fun to be debaucherous and the worst version of yourself.