There's a little wire work, which is so much fun. You can fly, it's amazing. But I've had to mostly just sort of kung fu, you know, ground work. Footwork and stuff like that.

To me it's so much like Spaced in that way. Um, which I love so much, so I think fans of that and fans of the comics are going to really see that up on the screen.

When I was 10, my school did Romeo and Juliet. I was Juliet, and that was, like, the biggest deal ever. I was completely obsessed with the role.

I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?

Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.

In ballet, I felt that no matter how good I was, if I didn't have the right body type or if I didn't fit a certain mold there was nothing I could do.

It's surprising to a lot of people because ballerinas look so long, but it's more of a proportion thing. Their legs are long in proportion to their body but in reality they're very tiny.