I think, like a lot of actors and people in the arts who are struggling to get where they want to be, you spend a lot of time sitting around grumbling about how you're not doing the kind of work you really want to do. But there's a lot of complacency in that, too.

You do sometimes have to work on things where you love the cast and you love the filmmaker, and the role might not be great but it's fun. I'm totally down to do those things, and will continue to do those things, as well, but it at least has to be peppered with roles that are really interesting and that are hard.

Some of those things come out and you don't know where they came from - somebody's leaking totally false information. They follow you for years and you have to be like, "I don't know anything about that."

It's like so great to be in Toronto and to see everything that's in the books and everything they reference and to be able to hang out in those places and go to those bookstores and those comic book stores and those music stores, and like have that, from the books onto the screen, is so cool and I'm glad to have been part of that.

Particularly for women, I think more of us in the industry need to just do it. I think guys are more willing to put themselves out, that way, at least with the girls that I know. We say we want to direct, but then we don't actually do it.

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.

Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.