I guess I've just gotten to the point where I don't want to be bored by the characters that I play, and I don't want to feel like I'm having to make something more interesting or I'm having to force something that's not really there on the page.

Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.

I think there need to be more female action heroines out there that are intelligent and not overly masculine and things like that so Id love to find - and real too. Not necessarily the superhero perfect archetype of what an action hero is represented as a lot of times. I would love to find that kind of action heroine role to play.

So, they have the same vibe of like that fun kind of spirit, but this one's a lot more serious. It's like, get it done, get it done right, you know? It's got to be perfect. We definitely do lots of takes on this.

Um, yeah, it's one of the things that you kind of have to accept at the very beginning, like I'm not going to try and be super [deep?] factor and no, I can only do it this way, because that's just not how this film's going to work. Like it's got to be sort of a mesh of reality and complete unreality and you kind of have to accept that and go with it.

If you let too many cooks in the kitchen it could cloud your vision of what you want to do.

It's surprising to a lot of people because ballerinas look so long, but it's more of a proportion thing. Their legs are long in proportion to their body but in reality they're very tiny.