I think, over the course of one's lifetime, there are always certain core elements that are intriguing to you, and you take different looks as you get older, but it's something you keep coming back to. I've always been interested in the relationship between vulnerability and control. That's something that's a big thing for people, whoever they are, no matter how old you are. I think at different times, you're more aware than others.

I think that politics in most people's lives expresses itself like that: indirectly, in half thought-out opinions and feelings. And sometimes through a connection with something that is very real. But we don't have the knowledge or language to speak about it.

Sexuality is a place where people are very vulnerable and can be experiencing and embodying very raw forces that they don't really understand and there's a question of how much you should control and how much you should play with those and what those forces really are, how you really feel about them. That's perennial.

Whenever young writers ask me for advice, I always say you have to be able to take a lot of rejection because, unless you're very lucky, that's what's going to happen.

The art of integrating the ego and the impulse for empathy in a dynamic call and response.

I think a woman who commits adultery, is not sympathetic in our culture - or in many cultures, let's face it.

When my first book came out, it was very disorienting. My health went south. I didn't know how to relate to people. I thought, "Now I have this way to be in the world that's going to be wonderful. It'll be like driving a great car, really streamlined." But it actually was difficult because, if you have a public persona, something you don't fully have control over, it's more like being in a car with controls you don't really understand.