You can never really tell, it's kind of a red herring until you see the project I think. You just know if you like working with someone or not, and he does have a real sweetness about him, I think.
Mary-Louise ParkerWith TV, there's a continuum with the crew and the cast so you feel like you have a sense of community in a way, which is similar to theater.
Mary-Louise ParkerI thought the other ones were so obviously - what are we going to do if she burns down the house? The DEA, which I think was maybe the best one because she's wearing the jacket when she goes through the mirror and I think that was kind of amazing because you really weren't expecting that. There's something almost slapstick about this in a way that worried me. It was a little pratfalley with the golf club and the - but I think it probably cut together okay.
Mary-Louise ParkerI never know why people come up to me. I think a lot of them just get super-excited because they recognize me from TV but they don't remember where.
Mary-Louise ParkerWell, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.
Mary-Louise ParkerI put a lot of stock in the written word, and the power of it. That's what I love about acting and reading scripts. Words are really powerful. I don't believe that axiom at all - words can absolutely hurt you. Words can wound. They can do a lot of damage. I think they can do way more damage than sticks and stones. I'll take sticks and stones.
Mary-Louise Parker