In their (women) quest for rights they have naturally placed emphasis on their wrongs rather than their achievements and possessions, and have retold history as a story of their long martyrdom

Every great creative idea, formulated as a philosophy, has a social setting - in time, in a geographical location, in a political economy, in a matrix of interests and knowledge. It is not a free-swinging phenomenon like a balloon without moorings. It is not produced in a vacuum and, being creative, it does not work in a vacuum. Nurtured on things experienced and things known, it reaches out toward the unknown like a flower on a stalk growing out of the soil.

Viewed narrowly, all life is universal hunger and an expression of energy associated with it.

the 'public' - a term often used in America to indicate the great metropolitan newspapers.

Despite the modern dogma to the effect that women were a subject sex until the nineteenth century 'emancipated' them from history, women in history had demonstrated strong wills and purposes, had made assertions, and had directed or influenced all human destiny, including their own, since human life began.

If this analysis of history is approximately sound and if the future like the past is to be crowded with changes and exigencies, then it is difficult to believe that the feminism of the passing generation, already hardened into dogma and tradition, represents the completed form of woman's relations to work, interests and society.

Woman's success in lifting men out of their way of life nearly resembling that of the beasts who merely hunted and fished for food, who found shelter where they could in jungles, in trees, and caves was a civilizing triumph.