Every great creative idea, formulated as a philosophy, has a social setting - in time, in a geographical location, in a political economy, in a matrix of interests and knowledge. It is not a free-swinging phenomenon like a balloon without moorings. It is not produced in a vacuum and, being creative, it does not work in a vacuum. Nurtured on things experienced and things known, it reaches out toward the unknown like a flower on a stalk growing out of the soil.

For hundreds of years the use of the word 'man' has troubled critical scholars, careful translators, and lawyers. Difficulties occur whenever and wherever it is important for truth-seeking purposes to know what is being talked about and the context gives no intimation whether 'man' means just a human being irrespective of sex or means a masculine being and none other.

Every revolution has its counter-revolution.

We of the third sphere are unable to look at Europe or at Asia as they may survey each other. Wherever we go, across Pacific or Atlantic, we meet, not similarity so much as 'the bizarre.' Things astonish us, when we travel, that surprise nobody else.

History has been conceived--and with high justification in the records--as the human struggle for civilization against barbarism in different ages and places, from the beginning of human societies.

Leisure for reverie, gay or somber, does much to enrich life.

If this analysis of history is approximately sound and if the future like the past is to be crowded with changes and exigencies, then it is difficult to believe that the feminism of the passing generation, already hardened into dogma and tradition, represents the completed form of woman's relations to work, interests and society.