Love has been the ontological pattern for me. And also the withholding pattern. I am still on hold with regards to love. And the longer one is on hold, in suspense, on a search, the harder, paradoxically, it is to continue with a search.

At any moment I could give up, but I haven't because love for me is an indispensable structure for being.

For me, the eye and the word go together. Even when I was working in word documents, I was always obsessed with fonts, size, margins - the look of words on a page. The way something looks or sounds is also what it means.

Both cinematic culture and the culture at large have changed profoundly. We're now in post-cinematic digital culture, and the internet has obviously usurped movies, which are no longer central to our lives, at least not as a collective spectator experience.

Love has been the ontological pattern for me. And also the withholding pattern. I am still on hold with regards to love. And the longer one is on hold, in suspense, on a search, the harder, paradoxically, it is to continue with a search.

The digital age is for me in many ways about temporal wounding. It's really messed up our ontological clocks.

Having a love ethic, as opposed to simply being in love, or having a lover, means love is the way you actively choose to engage with the world - whether you're in a relationship or not. It's not about disappearing into existing structures, norms, and privileges. It's precisely about breaking with the existing structures, values, and norms that prohibit real love in our culture.