That's the best part about being an actor though. One of the rewarding aspects of it is you're actually traveling in parts of the world that one wouldn't necessarily go to just because it's so far removed, but also like even beyond the metropolitan areas. You're in the woods.

We stalk the truth as poets, sensualists, a duality, limited insanity. We labor in our muse, carving alphabets of experience into our hearts.

Definitely routine is the bedrock of our relationship.

I would much rather sit, dimmed by inattention, and study the atmosphere and the silence and dance between people, but often times I’m not offered this privilege. The necessity for isolation, and the striving for popularity is the only contradiction I find in being a writer and an actress.

As a poet and as an actress, we're taught to be far more elaborate with our words and - I wouldn't say generalize, but definitely stronger with our choices.

I would like my books to stand as a tool to unbind children from expectations of poetry because it should free the child to self-expression and exploration.

Through my former experiences, writing poetry and learning other languages leading up to English I find ways to stitch words together that may seem a bit odd, but somehow, sometimes they do work.