I have a really big interest in the spirit world: spooks and the things we can't necessarily see but feel.

Someone can do anything they want to you on the outside, but whatever they do to me they cannot destroy what's on my inside. Mentally that cannot be taken away from me, no matter what someone does.

A lot of my video work is super lo-fi on purpose. I'm not trying to become technically super proficient. The only thing I'm interested in becoming technically proficient on is my alto saxophone.

It's important to interrogate history, it's important to document history, because as a society we need constant reminders of the things that we've done in the past in the hope we can stop repeating these horrible lessons.

It's nice that people can call me an artist and it's nice that I can refer to myself as such, but it also kind of separates me from the common man in a way that I don't wish to be, so craftsperson makes me feel a bit more connected.

New York is beautiful, but [the South] makes it look like a wasteland.

Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.