It's important to interrogate history, it's important to document history, because as a society we need constant reminders of the things that we've done in the past in the hope we can stop repeating these horrible lessons.

I love working with my hands. The computer has taken over my life in a way that makes me really uncomfortable. I'm trying to find a happy medium that gives me freedom but also still goes back to the idea of craft.

I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.

A lot of my video work is super lo-fi on purpose. I'm not trying to become technically super proficient. The only thing I'm interested in becoming technically proficient on is my alto saxophone.

New York is beautiful, but [the South] makes it look like a wasteland.

It's nice that people can call me an artist and it's nice that I can refer to myself as such, but it also kind of separates me from the common man in a way that I don't wish to be, so craftsperson makes me feel a bit more connected.

When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.