I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.

When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.

I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.

It's important to interrogate history, it's important to document history, because as a society we need constant reminders of the things that we've done in the past in the hope we can stop repeating these horrible lessons.

I have a really big interest in the spirit world: spooks and the things we can't necessarily see but feel.

A lot of my video work is super lo-fi on purpose. I'm not trying to become technically super proficient. The only thing I'm interested in becoming technically proficient on is my alto saxophone.

It's nice that people can call me an artist and it's nice that I can refer to myself as such, but it also kind of separates me from the common man in a way that I don't wish to be, so craftsperson makes me feel a bit more connected.