It's intuitive in terms of when I read a piece of material or I hear about a project. I'm a writer, so I've written movies. I've read at this point thousands and thousands and thousands of screenplays. So if something gets me, then I don't ignore that.

I've gotten much better at multi-tasking. It's hard, though. But, writing a script is not totally focused. You're taking little breaks, all the time. If a kid runs in, you give 'em a horsey ride. It's a pretty fluid process.

I think marrying somebody who's not a celebrity, it just takes a lot of the pressure off.

It was shameful and embarrassing that there were two years in a row without a single actor of color nominated. That's insane.

And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.

There are people who just collect a bunch of footage and then edit it later. You definitely feel more protected when a director is moving on when you've actually felt something happen and you know they're watching intently.

Being known as a writer did change the relationships I had with directors. The rap on actors is that they always want to inflate their parts. But when directors know you write screenplays and have a different view of things, you really get invited into the huddle in a much fuller way. And those collaborations end in friendships.