And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.

You know, a one-term president with some balls who actually got stuff done would have been, in the long run of the country, much better.

The ideal life is you don't sell a single magazine, nobody's interested, but they want to come see your movie. Because that gives you true freedom.

The whole thrust of theatre is different, just because the writing is so much more respected in a play. Whereas in movies - and having been the writer, I can say from experience - the writer is lower down on the food chain.

The thing that I like about Germany is that Germans are so much like us. It's not like going to some other countries, where the differences are overwhelming and you walk around in a fog. Germans are so similar to Americans.

I think it's still hard for me to turn down work if it's really good because for so many years I was desperate to get a job and couldn't, so I think it's anathema for me to turn down work if I think it's really good.

I fell in love with a civilian. Not an actress and not a famous actress at that. Because then the attention doesn't double - it grows exponentially. Because then suddenly everybody wants to be in your bedroom. But I don't really give them anything.