I am a bit of a daydreamer.

It's very likely that graduates, current employees and retirees have some wonderful pieces of Deer Park history in their closets or garages.

People see my impressions as a great skill and I am flattered, but there are things I can't do that everyone else can. I can do funny voices and funny faces but I can't drive.

I think this [Gnomeo & Juliet] is the closest I ought to get to Shakespeare to be honest.

It was very pleasurable and easy and it was nice to work with friends... people I already knew, people I didn't know but I now count as friends. There is a lot of hard work that goes into the movie but I can't claim to have been any part of that.

People will love something very much or hate something very much. But the great thing about a sketch show is that if something comes along that you don't like, something else will come along in a minute that hopefully you might like that.

But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.