When I left school I was full of angst, like any teenager, and I channeled it all into comedy.

But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.

It's important to hold something back, though, because quite frankly my personal life is pretty dull and I don't want to bore people with it.

I told Bernie Taupin that his best lyrics were for Song For Guy just because it doesn't have any words in it. But there you go... I'm a wind up! But a good Elton song for karaoke is I Guess That's Why They Call It The Blues... "laughing like children, living like lovers, rolling like thunder under the covers..." Everyone can join in!

It was very pleasurable and easy and it was nice to work with friends... people I already knew, people I didn't know but I now count as friends. There is a lot of hard work that goes into the movie but I can't claim to have been any part of that.

If the worst that happens is that I wake up and see a picture of myself and a headline saying, 'He wasn't very funny last night', then I've got nothing to complain about.

Honestly, I was just happy to get the work. I was chuffed to bits. I know David Furnish and Elton John a bit and I remember David talking very excitedly about it. This was going back four or five years even, when we were doing Little Britain at the Hammersmith Apollo. I'd lost my voice that night, but still did the show. I remember thinking: "God, they're going to think that's my voice and I'm not going to get in the film!" But it's just been a pleasure to be a part of.