The funny thing for me is, I have never lived in a network world.

I think it's satisfying for people to feel that that relationship is reciprocal in some way. The truth is, you do have a relationship with your fans, and there is a feedback loop there. And while you have to be careful not to write a show just for the superfans, that kind of feedback is really valuable.

Obviously, everybody's favorite form of web content is more story with principal actors. But the economics of the web do not yet support.

I'm always looking for what's something that Bradley Whitford's character can say that is completely outrageous and completely wrong, but in a double-reverse way is actually totally right. I don't really like where there's a story and you lay a few jokes on top of it.

I'm fortunate to have had my own level of success. My joys in life are I've got three little kids, and I got to buy a house that I really like, and everyone should have that.

I am fortunate in that I am motivated to do what I do by just a really goofy desire to do it. Maybe I have demons that are hidden away someplace, and I'll discover mine someday.

I really like transgressive characters that have an alternate world view. I've actually written a fair number of kids movies, and I'll insert these kid-friendly articulate sociopaths who are usually yelling at the children for their own benefit.