One of the things I thought coming into the franchise, what I thought was a unique gift: you hear so much of these reboots, remakes, re-whatevers, and the thing about them is that a lot of them are retellings.

I never would have guessed I would be making science fiction and horror films.

That movie [War for the Planet of the Apes] is incredibly engaging; it's what drives the emotion of all these films. So tonight, we're going to show a long sequence that's actually going to be.

One of the things I thought coming into the franchise, what I thought was a unique gift: you hear so much of these reboots, remakes, re-whatevers, and the thing about them is that a lot of them are retellings.

My main interest in being a director, and the most important thing to me, is that world with the actors.

I think there's a level at which you think that there's a reason that you're being singled out, that you're being chosen. As a kid, I was always mistaken for a girl. Before you reach that age where your sexuality starts to display itself, kids can look very androgynous, and I guess I leaned more toward the feminine. All those things were very hard, growing up, because you're trying to create an identity, and you're feeling shameful about the one that you're making. So, I identified with it a lot.

When you think of the "Exorcist" (1973) you think of Linda Blair and pea soup and all this madness, but really if you look at the first half of that film, the stuff between her and Ellen Burstyn is so naturalistic and so real.