I've worked with Robert Altman a couple of times too.

Life really is very brief.

Fifteen dollar too beaucoup. Five dollars each... Five dollars is all my mom allows me to spend.

I always thought that it was kind of silly that a baseball card could be worth so much money.

I never set out to be rich and famous. I wanted to follow my own path.

When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.

For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.