I don't think that digital photography is romantic yet. It's not sympathetic the way that film is.

I've worked with Robert Altman a couple of times too.

We should all aspire in life to do a multitude of things well - to be a great father, to be a good husband, to be a good lover, you know, to try to do things the best you can is very important to me.

Everything is so convenient in New York.

There's a discipline. When you take someone's portrait, you don't have to take 50 photographs, just find that one so that when you release the shutter, that's the image that you took.

I always thought that it was kind of silly that a baseball card could be worth so much money.

For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.