For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.

The experience of using a Rolleiflex camera is very different than using a SLR.

My father taught me to paint when I was young with watercolors and so I learned at a very young age the essential elements of the value of light and composition.

I always thought that it was kind of silly that a baseball card could be worth so much money.

I've worked with Robert Altman a couple of times too.

I don't think that digital photography is romantic yet. It's not sympathetic the way that film is.

So the thing that's beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera's all about composition and all about light.