Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.

Any lie should be as close to the truth as possible.

You play to whatever publication you're being interviewed by.

I've aged. 'Patagonia' has robbed me of a decade of my life.

I feel comfortable here primarily because I think Los Angeles is made up of people who don't come from here, so you can find kindred spirits very easily. It's a town of gypsies.

I have very fond memories of the 80s; they were very formative years for me. I certainly remember the Cold War. It was a closer doorstep for the Brits than the Americans, so it was a very real and palpable threat at the time.

I've done a number of projects where people go, 'This is your breakthrough role,' so I've stopped thinking that.