A poem is like a person. The more you know someone, the more you realize there is always something more to know and understand. A final understanding could probably only begin upon permanent separation, or death. This is why we come back to certain poems, as we do to places or people, to experience and re-experience, to see ourselves for who we truly are, and to continue to be changed.
Matthew ZapruderThe question does arise if how and why to write poetry in this time. It feels both completely essential and also quite difficult. But that's how writing poetry has felt to me my whole life. Everything seems to have just gotten immensely more mortal and tragic and scary, which makes it hard to concentrate, but also, if harnessed, can provide immense energy for making poems.
Matthew ZapruderIt is funny, and also a bit sad, that poets are so often asked to justify our vocation. There seems to be something vaguely mystifying and even hilarious to people about being a poet, especially in these times. Why would anyone choose to do something so...useless?
Matthew ZapruderThis, in the end, might be the greatest social good of poetry: to get us to live differently, with a different sort of thinking and concentration, even if it's just for a few moments.
Matthew ZapruderFor me, form is something I locate in the process of writing the poems. What I mean is, I start scribbling, and then try to form the poem - on a typewriter or on my computer - and, by trial and error, try to find the right shape. I just try to keep forming the poem in different ways until it feels right to me.
Matthew ZapruderI think it is our job as poets to refuse the terms that society so often sets for usefulness. That, for instance, is what Dickinson did: she refused to be a wife, a homemaker, a standard member of her community. She knew she had to in order to have the space and time to write her poems. Thank god she said no!
Matthew Zapruder