Well, I believe that "thinking" is just as real a phenomenon in the world as anything else, and just as worthy of exploration. Maybe even more? So writing about "thought" to me is like writing about a tree or anything else real.

Today is such a strange day. The news is out about the Russians and mini-Donald. This seems like a turning point, but it certainly has felt that way before. Like all of us, I am vibrating with electric uncertainty. How do you manage to concentrate and write poems? I know that for me it is just a relief to be in that sort of thinking, away from the news and all the immense global and personal worries.

I've always been more than a little mystified by poets who seem to think talking to people as directly as possible is a bad thing. I mean, I don't want to set up a straw man here: I understand that for many poets - and for me, at times - writing truly means writing in a way that is difficult, simply because the poem is trying to grasp for something elusive. So the difficulty of the poem is just unavoidable, and not in any way artificially imposed. So "as possible" is the key part of the phrase above, I suppose.

That choice to be ready to reject all other purposes, in favor of the possibilities of language freed from utility, is when the writer becomes a poet.

The speaker tentatively reaches out with that feeling and realizes that it's kind of absurd, or at least a dangerous consolation, which is what I think is discovered as that longish sentence at the end of the poem comes to its conclusion. But here I am interpreting my own poem, which is kind of like making out with one's own high school yearbook photo.

Reading a poem is a real thing, a worthy thing. So to be there right with the reader at that moment is part of the effect of a title like "Poem for" something or other. Matt Rohrer does this a lot in his titles, and I think I might have gotten some of the idea to do this, or at least been reminded of how it can work, from his recent amazing books.

I've noticed that there can be a visceral reaction to strong statements about poetry, as if anyone who has an opinion and expresses it is shutting people down. It's funny to see that expressed, and then to go back and read poetic statements by the great poets of the past: they are full of a passionate conviction! It is clearly possible to express strong feelings about poetry while also defending the absolute right of myriad approaches.