Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.

I know I haven't done it. I've done a couple of films, which were intended to go straight up. Thankfully they didn't. So now, I think that's what I need to do. I just need to grow as an actor.

Once you become the story off-screen, you are less likely to be the onscreen one.

Towards the end, one of them [children in "The White Queen"] was older than I was in real life.

I've always wanted to be a fighter pilot. But I don't want to kill people. I'd hate to.

I was supposed to go up for something recently that was a six-year commitment, and I didn't want to do it. It was a terrible part as well. I don't want to be doing six years of something. I'd go crazy.

With acting, I've got a character to inhabit. You've got to think about your intentions and your directions. In modeling, even though there's an act to it, a good model is a good model. For me it's uncomfortable territory. You start to feel quite insecure about yourself. There's nothing between you and the camera, and it's just you.