Once you become the story off-screen, you are less likely to be the onscreen one.

I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.

I always wanted to be a teacher. A bit of me still wants to be a teacher.

People often find it surprising that actors find photo shoots difficult, because you're very concerned about what's going on externally in those things when you have to be concerned with what's going on internally as an actor.

If you look at the careers of Philip Seymour Hoffmann, Paul Giamatti, Meryl Streep, none of them shot up in terms of fame or fortune or recognition, they laid a platform of good, solid work and became better and better.

Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.

I was supposed to go up for something recently that was a six-year commitment, and I didn't want to do it. It was a terrible part as well. I don't want to be doing six years of something. I'd go crazy.