One of the most obvious parts of my character is the smile, and if I wasn't comfortable in myself then I wouldn't be able to smile so much.

About 1998, when 'Wide World of Sports' and the 'Footy Show' came to an end for me, I couldn't type. When I started architecture, it was a very aesthetic, creative, an almost art process, where lettering and thick line were how you expressed yourself on the paper.

One of the most obvious parts of my character is the smile, and if I wasn't comfortable in myself then I wouldn't be able to smile so much.

I was the son of a publican and a master builder. He ran the Empire Hotel in North Hobart. His name was Max, too. Big Max.

I was good at football and cricket at school. My dad said, 'Son, be an architect,' and I came to Melbourne passionate about becoming an architect.

When I go and speak now at all sorts of conferences, later in the night there's always a better Maxie Walker than me. Billy Birmingham's legendary for basically being able to verbally kneecap any of a number of Australia's characters, particularly in the commentary box.

Given how well the cards have been dealt to someone like myself, I think there's an inherent obligation to try to reach out and make a difference.