My father wasn't a very good lawyer. He thought the law was sacred and something that was meant to help people. He didn't charge people like he should have... which is why I was allowed to play bars and strip joints when I was 14.

As with any art, you create it [drumming] out of something that isn't there. It's very architectural. It's the architecture of whatever piece of music I'm playing. I think the whole idea of drumming is to allow other people around you to more easily express themselves.

I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.

All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.

More than any other drummer, Ringo Starr changed my life. The impact and memory of that band on Ed Sullivan Show in 1964 will never leave me. I can still see Ringo in the back moving that beat with his whole body, his right hand swinging off his sock cymbal while his left hand pounds the snare. He was fantastic, but I think what got to me the most was his smile. I knew he was having the time of his life.

I will always desire to play with Bruce Springsteen. He's the most inspirational, most dedicated, most committed and most focused artist I've ever seen. I like to be around people like that.

There's a certain groove you pick that makes the music flow, and when you have it it's in your pocket. It's the feeling behind the rhythm to me, the hardest thing to strive for is that feeling, behind the groove.