And I like a good horror story as much as the next person so long as they kill off some men too and not just girls. But the voices Joan heard were real. There’s clear and substantiated proof they were real. She won battles that would otherwise have been lost because of what those voices told her in advance of them allowing the French generals to strategize in ways completely different than they did before Joan came along. People’s lives were saved because of what those voices told her.

Screenwriting is a much more collaborative effort. When you write a novel, it's just you, with input from your editor.

Only a fool is never afraid, Frank. Heroes are the people who carry on despite their fear, because they know the job’s got to get done

Chaz looks me dead in the eye and says, 'Why yes, Lizzie. I’m manically depressed because the girl I’ve finally realized I’ve always been in love with, and who I was beginning to think just might love me back, turned around and got herself engaged to my best friend, who, frankly, doesn’t deserve her. Does that answer your question?

If you're writing a screenplay, you need to be prepared to let go: there's a good chance the words you write aren't going to be the ones that end up on screen.

This was very exciting. I'd never had two boys get into a fight over me before. The fact that one of the boys was my stepbrother, however, and held about as much romantic appeal for me as Max, the family dog, somewhat dampened my enthusiasm. And Michael wasn't much of a catch, either, when you actually thought about it, being a potential murderer and all. Oh, why did I have to have such a couple of losers fighting over me? Why couldn't Matt Damon and Ben Affleck fight over me? Now that would be truly excellent.

Emerson:bite me Whitne:you wish