My daughter is a fantastic travelling companion - she's totally organised, whereas I'm hopeless.

I noticed that once you realize someone's watching you it's pretty hard not to find yourself watching them back.

I love you. I'm madly in love with you. Well, madly obviously, given I'm mad as a mudlark. But you saved my life. I'd be dead without you. And you're so good to me. And you love me too. How lucky is that? Amazing! Amazingly lucky. I can't live without you. You're my lucky charm." She felt a sudden desire to kill Justin's well-meaning friend.

I didn't seem to have that effect on anyone but it would have been a waste for both of us to be saints.

Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.

When you read a book, the neurons in your brain fire overtime, deciding what the characters are wearing, how they're standing, and what it feels like the first time they kiss. No one shows you. The words make suggestions. Your brain paints the pictures.

It was not a big smile, not particularly bold or polite or ironic or glib, not asking for anything or offering anything, not stringy or careless, not, in short, like any smile I had ever experienced before. But such a smile! You could burn a hole in the world with that smile.