I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.

No, this is throwing up like coming off the tilt-a-whirl at age seven, like discovering that dead rat under the porch, like finding out someone you loved never loved you at all.

If it hadn't been what it was, it would've been beautiful.

There's something dangerous about the boredom of teenage girls.

I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.

I think there are two prevailing views of the suburbs in the States: either they're this sort of tedious place, where everyone is the same, buys the same food and drives around in their little minivans, or the view is that the suburbs are extremely perverse in a humorous way.

The more I did it-the more it owned me. It made things matter. It put a spine into my spineless life and that spine spread, into backbone, ribs, collarbone, neck held high. It was something. Don't say it wasn't.