The thing about living in a place like Nebraska is there aren't that many people, so your circle of acquaintances is going be much more diverse. Everyone would go to the same bar, like the local politicians and construction workers. The class intersections were fascinating to me. And of course there's a whole other conversation about what a huge source of growth it was for me in terms of understanding people and the world in a way that I hadn't in New York. I used to say that L.A. is essentially New York with yards.

I mean, being provincial is a privilege in a way. Also people in New York think everybody interacts because they all take the subway. "Oh, I see all these different people! All these different walks of life on the subway." Well, they're not coming to your dinner party. Certainly, in small-town Nebraska, everyone indeed did mix together.

I just am a person who loves houses. In a way, it's dovetailed into one of the themes of The Unspeakable: Why do you have to change? Why don't you just accept that this is how you are? Why do you have to grow from an experience?

A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.

As I've gotten older, I've felt I have more authority on that subject. I think the conversation needs to be reframed. What I hate - a lot of conversations about choosing not to have children tend to be couched in these superficial terms, or kind of glib, "I'd rather have a Porsche" or "I forgot to have kids." No you didn't.

What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.

There may well be a few extremists out there somewhere calling for a militant, women-only utopia, but why should this be the definition of 'feminist' when it's already the definition of 'silly'?