New York is such a special place. It's really intense for people because they live here when they're young. On top of the energy of the city there's a visceral experience a lot of people have because it's a time in their lives where they're just absorbing a lot. Things take on a significance that they might not otherwise.

I've always been interested in tht notion of what is authentic and how we define that and why our culture imposes certain emotions and emotional constraints onto experiences.

A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.

Being in the entertainment industry in L.A. is the equivalent to being in the publishing industry in New York. You don't ever have to hangout with anybody else.

I mean, being provincial is a privilege in a way. Also people in New York think everybody interacts because they all take the subway. "Oh, I see all these different people! All these different walks of life on the subway." Well, they're not coming to your dinner party. Certainly, in small-town Nebraska, everyone indeed did mix together.

I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications.

I think it started to feel like home when I stopped maintaining any pretense that I was ever going to be in the movie business. I went there like many writers - I had a screenplay deal and I would go to these meetings and it was the typical thing. And I hated it. I was not interested in writing screenplays, actually. But I kept feeling like that was what I was supposed to do. It was just this horrible cognitive dissonance.