Critics can't even make music by rubbing their back legs together.

When I'm writing a script, I don't worry about plot as much as I do about people. I get to know the main characters - what they need, what they want, what they should do. That's what gets the story going. You can't just have action, you've got to find out what the characters want. And then they must grow, they must go somewhere.

I love spaghetti and sex, sometimes together. My dream of heaven is walking naked through fields of pasta fazool.

If you're alive, make a lot of noise, because life is the very opposite of death.

There's a lot of things that I've done to stick into the box set. You never have it this good. I think people should bargain. They shouldn't just buy the set, it's a little expensive [anyway]. But they should say - I'll give them dialogue, I'm a good writer.

These men both publicly and privately have done so much for me. Without Nathan Lane and Matthew Broderick I would be living in a little motel just around the corner here, trying to make ends meet.

When I was a little kid, if somebody said they were thirty-five, I'd say "Oooh, they're going to die soon". But as I get older it doesn't mean a thing. You mustn't ever give in. Never give in to thinking you're old, because you're never old. Your mind, and I tell you this and listen to me carefully, your mind is never, ever old, it's eternally young.