I was at university and I was studying modern drama and studying English, and I just was like, 'I don't wanna be in this place. I wanna be acting.'

I think filmmakers are always interested in getting the best actor that they can find, the person who's the most right for it.

Sometimes you just feel so fortunate to be in the company that you're in and you just want to soak it all up.

I've had a lot of struggles with depression. It's very easy for me to go to a bleak place, or for me to doubt humanity, myself, the world, my choices.

For "The Intervention" I came up with a back-story and Clea [Duvall] was like, "No." And I was like, "I don't care."

Some scripts are pretty sparse.

I talked with [ Blair Macon] a lot. I always like to come up with it - sometimes the filmmaker is not into it at all.