I feel so lucky to have done so many things that I love in the past few years so I'm just going to keep trying to do them.

I read every single review, because I love film criticism and I'm interested.

I guess I have a strong constitution.

I think there's so many little specific things in the script [of "I Don't Feel at Home in This World Anymore"]. And the script was also structured so beautifully that I didn't want to mess with it.

I felt like the script [of "I Don't Feel at Home in This World Anymore"] was so clear. It was sort of packed full of information. [Macon Blair] puts in a lot of discussion in the script. Characters are introduced very thoughtfully. The way he described walking into particular environments was very specific.

I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.

I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your "moment," or whatever. The story is a lot bigger than you, and you're there to help it along. The thing to think about is whether what you're doing is true to the moment and where the story's going, rather than going, "Here are my scenes. What can I try and do to make the most of them?"