I think we all are born inside of our parents' narratives. We stay there for a good while. We are taught their narratives about everything: their marriage, the world, God, gender, identity, etcetera. Then, at some point, our own narrative develops too much integrity to live inside that story. We don't ever fully escape it, but we move into our own stories.
Melissa FebosI've always looked very closely at people, and seen a lot; that was true even when I was a kid. That's what made me a good domme, but it's also what makes me well suited to being a writer, and a teacher.
Melissa FebosSometimes I see my students, especially the ones with a gift for the lyrical, reaching far outside the realm of their own experience for language and images. I understand this impulse. We think, in the beginning, that striking exotic words together will create something entirely new. That we must be worldly in our vocabulary. We idolize the styles of other writers and don't trust or perhaps yet know our own.
Melissa FebosWhen I was a kid, I was told that I had a biological father, but that he didn't have much importance. I had an adoptive father who was present, who loved me, who was up to the task. And he was. So, I didn't question that story, until I was thirty-two, and suddenly realized that I was curious, that he did have something to do with me.
Melissa FebosEarly in my career as a domme, I both admired and feared becoming one of those career dommes. I saw, in myself, and in some other women in that industry, the way that sex work could eclipse the other parts of your personality, the way that I started to feel as if I wasn't qualified to do anything else. I had always known that I wanted to be a writer, and I stopped writing for a time while I was domming; the experience subsumed my other interests, and it scared me. Now, however, I have nothing but admiration for them.
Melissa Febos