We hear from sex workers who have through their own volition become media figures, or have despite their own wishes become media figures. Like Ashley Dupré, who has a sex advice column in the New York Post. You get outed and then people expect you to write a memoir because they think, what else are you going to do with your life?

I have to do this all the time - choosing what to print based on how it might come back to harm people from whom I've earned trust.

We're missing a lot of the real-life stories of what people's work looks like. Those are the people that I want sitting on the zoning board meetings, on the zoning commissions. Those are the people I want participating in business improvement in their own industry. The gentrification processes that often happen in cities so often manifest in street sweeps of sex workers. How do you get sex workers on neighborhood associations, regarded as members of the neighborhood?

Most people aren't encouraged to think of their labor as very valuable. We usually think of it as the necessary thing we engage in in order to survive. We live in a world where our ability to survive is connected to our ability to draw a paycheck. But there are other ways of organizing labor and culture. For example, people who are pushing for fixed universal base income, or a welfare system that separates wage labor from the compensation required to survive. It was only when I thought of those alternatives that I was able to really understand what we mean when we say sex work is work.

Work doesn't have to be great in order to dignify it as work. Work just is. It's quite value-neutral. The issue is about what kinds of power and control you have at work as a human being. That's the commonality. It's not necessarily what the task is.

Our feelings alone don't change what happens with the police, what happens in jail, what happens when someone tries to go to the welfare office, the unemployment office, or any kind of state agency where a criminal record comes up for prostitution. How we feel about the commodification of sexuality and violence doesn't actually translate to those people's lives. A lot of the debate is really academic and a waste of time.

Another sex worker and writer I respect put it this way: she said that as a writer, you're not about pleasing people, and as a sex worker it's all about pleasing people. It's all about creating this fantasy. I still feel like as a writer you actually do have put on a show. You can't just hand over your notes. And there is a degree to which you are appealing to the reader's vanity, whether you tell yourself you're doing that or not.