I'm very, very serious about what I do. I think there are a lot of people out there sort of thinking it's anybody's game. You know, "You pick up a camera and you make a movie." My experiences over the years have taught me there's a lot more than that to making a film - there's also getting the film seen, and all kinds of complex realities.

I have been known for almost 30 years to sort of do whatever comes my way. It's always been touch-and-go after each job finishes. I just like to be working.

I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie.

I think the funny thing about acting for me - and I hold it in a very holy, spiritual way - not to be overly fundamentalist about it, but it's that important to me - is that it is an ancient healing art.

There is a wealth of knowledge to be understood from others' work, don't get me wrong, and when I do stumble upon others' work, it's not lost on me.

It's not exactly an interview that's going on [in documentary]. I guess we do ask Edward Snowden some questions and we're recording him answering them and so on like that.

You can't really gauge the difficulties of television. There's difficulties and joys that happen with an amazing, great team, when one is working. Television can be a very frustrating job for almost anybody working in television, because you're shooting episodically, and you don't know one scene from the next, and maybe they change around.