As an actor, you live a little bit of a cloistered life. It's a lonely life. You oddly, strangely find yourself all alone, quite often, with a lot of time to think.

I think the funny thing about acting for me - and I hold it in a very holy, spiritual way - not to be overly fundamentalist about it, but it's that important to me - is that it is an ancient healing art.

I think this notion of acting and glamour is getting in everybody's way.

I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.

You can't really gauge the difficulties of television. There's difficulties and joys that happen with an amazing, great team, when one is working. Television can be a very frustrating job for almost anybody working in television, because you're shooting episodically, and you don't know one scene from the next, and maybe they change around.

One time, many, many years ago, I had the opportunity to dye my hair brunette for a film. And the day I walked out of the hotel where I had it done, I walked out onto the street and realized people looked me in the eye and greeted me good morning. I'd never had that experience before! And I began to notice that a brunette is treated as an affable human being. Later, when I dyed my hair for Lois Riley blonde, and then Alice Ward blonde, people come right up to you, they touch you on the arm, they ask you how you're doing. Men and women both! Blondes have more fun.

The climate informs the character.